I saw the new “Ghostbusters” tonight. I came out of the theater glowing, so happy I felt it sparking through my body, off my skin, lighting me from head to toe. Four women. Four women! FOUR WOMEN! Leading the film! Not talking about relationships! The dramatic tension in the movie was NOT about a relationship with a man! Four funny women taking out the paranormal trash!
Was the movie perfect? No, of course not. But I laughed out loud many times. I got my jolt of nostalgia through listening to the music and the visual style of the ghosts. And I was incandescently happy about the lack of sexy-woman-ness in the movie. Oh god, it was so wonderful.
NO FAT JOKES! Not a one. Women eating, joking, getting to know each other. Women screwing up, women being smart, women running but not in an unrealistic superhero way, women getting shit done, and nary a bikini in sight.
It is literally impossible for me to convey how much all that meant to me. It’s like being told, finally, that I get to be a real person. That will be impossible for many people to understand. But the total and complete absence of anyone of my gender who looks like me NOT being the butt of jokes through the movie, or of pity. Oh my god.
I loved “Buffy the Vampire Slayer” in a lot of ways. But even Buffy stayed pretty hip by nice tight jowl inside the universe of our screwed up beauty standard. And a lot of the tension in that show was built with more or less standard tropes, having to do with Buffy’s feelings about the various boys and men in her life.
Melissa McCarthy is only 2 years younger than I am. Kristen Wiig is 3 years younger than Melissa. Leslie Jones is my age. My god. Middle-aged, competent, funny, brave, interesting, smart women kicking ass.
Nostalgia is powerful. The patriarchy is yet more powerful, enormously so. Seeing this movie starts to show me how deeply I have absorbed the message that only men can be authoritative, funny, creative, believable, and *real* in that authentic, representative of the human species way. I can feel that programming resisting the data in front of my eyes. When humor, language, physical presentation, emotive expression, and style are all placed inside small, predictable boxes, it becomes hard to even recognize anything else. I remember the first time I had milk fresh from a cow. I was 14 years old. We were staying on a farm B&B in Cornwall. I didn’t like it. It tasted nothing like what came out of our plastic white jugs at home. It was warm, and so strong-tasting. Ew, I thought. It took a few days for my taste-buds to start adapting, for my expectations to change, for my mind and body to open to new experience.
Watching this movie, watching the few others I have seen where the female lead is not driven by romantic love or sexual trauma, and especially where the female lead is doing comedy, has been a similar experience. I almost cannot recognize the material. It is immediately filed away in my brain as not-right, less-than.
In fairy tales, the heroine is (at least in the books of my childhood) almost exclusively the youngest and the prettiest and the sweetest girl. Those stories were always about someone else. The rewards were unreachable, and the lessons learned directed at others. I never imagined myself as the heroine. How could I? I was none of those things.
Movies are even worse. There is visual evidence that people of interest, people to whom we are meant to relate, are in a category and class entirely unreachable by me. I’ve written about that before on this blog.
And so the reaction I describe above seems to me to be to be a societal definition of girl- and woman-hood that excludes everyone else, creating self-hatred, which is then directed outward again at any sort of cultural/artistic expression which counters it or provides an alternative vision.
The sexist backlash against this movie has been predictable and disgusting. Some people act like the makers of this movie and desecrating an altar, reaching into their minds and ruining their memories. And the racist backlash has been even more awful: Leslie Jones felt it necessary to leave Twitter due to the horrific things being tweeted her way. (http://fusion.net/story/327103/leslie-jones-twitter-racism/) The violent, violating, infantile fury of people who want a white world of strong white men and sexy white women is a thing that damages people every day. It must be resisted every day. I think many people forget the necessity of resistance, because it’s the water we all swim in, and it’s made that way, to corrupt and divide and vanish into the murk when challenged.
And so, we give into self- and other-hatred, we dismiss, we acquiesce, we judge.
But I have had experiences where I feel the scales falling from my eyes, where I stretch and breathe and get a different sort of oxygen in my lungs. Spending time in dyke bars does that for me. Spending long and intensive time with women does that for me. Sometimes in a great while a book does that for me. And I am going to watch this movie over and over until I can chuck the societal definitions screaming in my head, and take in what is before my eyes, let it sink in.
A place where someone like me can be fully human.
I saw the movie with a friend who is 22 years my junior. I have known her for 15 years, since she was in elementary school. When the original movie came out I was in my mid-teens, 10 years younger than she is now. The world was a different place then; I was very different then. Being a private cello teacher, I’ve had the chance over the past couple of decades to watch quite a number of kids grow up. I have been so happy to see how many of my female students are involved in sports, reaping the benefits of a more vigorously enforced Title IV. My friend has had since she was a kid a stronger sense of herself and her capabilities than I did when I was a kid, partly due to family environment, and partly to personality. But also, though it’s not linear and there are definitely ways in which things have gotten the opposite of better (gender expression polarization, for example, and the toxic explosion of pink-beauty-princess-defined girlhood), there have been real gains made too which I see manifested in her life and the lives of my students.
Being able to have a feminist joy-fest with her, to share the laughs and the joys with her, was a special gift.
My 7-year-old has been picking up on the pretty significant gender disparity in media and books. She notices. And that is a great thing. I tell her what I think about it, but I cannot tell her what to think about it, not really. What I want is for her to notice. She’s starting to notice the media white-wash, too. I told her this afternoon that I was going to see the movie. I told her I was really excited about it, because it was a remake of one I’d seen when I was a kid, and this one was 4 women. She said, “Oh, and it was all men before?” I said that yes, it was. “And,” she said, “was it all white people?” Yes, I said, it was.
Right now, though I am terrified, horrified, agonized about many things happening in the world, I do believe that change is possible. It is possible to re-learn. It is possible to prioritize justice and love and collaboration. And to do so one has to live it every day. And one has to forgive oneself for the thousands of times one fails to do so.
This movie makes me want to shout and punch things and dance and laugh and conquer and learn and grow.
Thank you to everyone who made it.